Because We Are Too Many (2024)

Because We Are Too Many isn’t just a film—it’s a raw, intimate act of survival. Director and star brings us inside her own home, playing a single mother alongside her real-life autistic son, blurring the line between art and life with breathtaking vulnerability. Set against a haunting, pandemic-era Glasgow, this is a story about the ghosts we carry and the fierce love it takes to raise a child while confronting your own trauma. It’s unflinchingly honest, deeply moving, and a must-watch for anyone who believes cinema can heal.